Aware that several generations had never heard the tales of Brer Rabbit, Brer Fox, Brer Wolf and the others, he embraced the project for them. Others associated the tales with slavery and saw no reason why anyone would want to resurrect them,” said author Julius Lester, Jerry Pinkney’s long-time collaborator. On the one hand, there were those who remembered the stories from childhood and retained an almost sacred affection for them in their original form. “When I undertook the challenge of retelling tales, I was not sure what the response would be. “Working for the first time on stories that really had bruised people” was concerning for him, but he maintained the goal of capturing the spirit within each piece, leaving the stereotypical behind. “In my youth, Uncle Remus tales were read and told to us,” he said, but as enthusiastic about the opportunity as he was, he also understood the book’s controversial nature. In 1987, Jerry Pinkney was invited by his publisher to illustrate The Tales of Uncle Remus, retold by American author, educator, and musician Julius Lester.

The remaining stories have their roots in European and Native American folklore. Two-thirds of Harris’s tales, which constitute the largest gathering of African American folktales published in the nineteenth century, are derived from African folktales that were brought to the New World, where they were retold and embellished by slaves in the southeastern United States. A collection of stories about the exploits of Brer Rabbit and other colorful creatures, the tales of Uncle Remus were first published in book form in 1881 by Joel Chandler Harris (1845–1908), an American journalist, fiction writer, and folklorist.

Uncle Remus by Julius Lester